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USITT - United States Institute for Theatre Technology, Inc.
Includes members at all levels of their careers and has embraced the new technologies being used in entertainment.
TCG - Theatre Communications Group
Theatre Communications Group (TCG), the national organization for the American theatre, was founded in 1961 with a grant from the Ford Foundation to foster communication among professional, community and university theatres. Today, TCG's constituency has grown from a handful of groundbreaking theatres to nearly 700 Member Theatres and Affiliate organizations and more than 12,000 individuals nationwide.
Databases Containing Theatre Related Content
JSTOR Journal Archive
A full-text archive of over 1,000 of the best scholarly journals in the social sciences, humanities, mathematics, life sciences, etc. Full-text is available from the first issue, but does not include the most recent 2-5 years.
Academic Search Ultimate (previously Complete)
Full-text access to thousands of popular and scholarly sources. A "goto" database for any subject.
Open Access Theatrical Resources
Open Access Trade Journal
Covers creative and technical resources for live entertainment professionals in lighting, sound, staging, and projection
Shakespeare (Folger Digital Texts)
This database contains free, high-quality digital texts of Shakespeare's plays starting with the basics: superb source texts, meticulously edited on the basis of current scholarship. The plays in Folger Digital Texts are taken from the Folger Shakespeare Library editions, completed in 2010 by editors Barbara Mowat and Paul Werstine and published by Simon & Schuster.
Theatrical Lighting Database (beta)
From the New York Public Library & The Lighting Archive...
Modern theatrical lighting has been developing over the past 60 years, primarily in America. Until now it has been exceedingly difficult to study due to limited access to original lighting documents. This collection contains actual plots, focus charts, cue sheets and much more from four landmark productions digitized from the collections of the New York Public Library
The Lighting Archive
Modern theatrical lighting is a unique art form, whose history until now has been exceedingly difficult to study due to limited access to original lighting documents. The Lighting Archive website is developing a collection of actual plots, focus charts, cue sheets and other documents from real shows. The arhive places an emphasis on historical productions and designers who have made important contributions to our field.
Project Planning for the Stage
Publication Date: 2018-11-05
Author Rich Dionne reframes theatre production as a project and provides essential tools for understanding and managing it efficiently, whether it be a stage play, an opera, a dance piece, or other performance that requires the collaboration of the artists and artisans creating the visual and aural landscape for it. Project Planning for the Stage is organized into four sections corresponding to the life cycle of a theatre production: defining the goals and scope of the production and assembling the crew; planning, estimating, and scheduling; executing and managing; and closing and strike. Each section focuses on relevant concepts and skills and outlines the application of effective project-planning procedures and techniques—including critical path analysis and Gantt charts.
Lighting the Shakespearean Stage, 1567-1642
Publication Date: 1999-12-08
In Lighting the Shakespearean Stage, 1567–1642,R. B. Graves examines the lighting of early modern English drama from both historical and aesthetic perspectives. He traces the contrasting traditions of sunlit amphitheaters and candlelit hall playhouses, describes the different lighting techniques, and estimates the effect of these techniques both indoors and outdoors. Graves discusses the importance of stage lighting in determining the dramatic effect, even in cases where the manipulation of light was not under the direct control of the theater artists. He devotes a chapter to the early modern lighting equipment available to English Renaissance actors and surveys theatrical lighting before the construction of permanent playhouses in London. Elizabethan stage lighting, he argues, drew on both classical and medieval precedents.
The Viewpoints Book
Publication Date: 2004-08-01
The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with—space and time—into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.The Viewpoints are a set of names given to certain principles of movement through time and space—they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form.Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life.
Bringing the Body to the Stage and Screen
Publication Date: 2011-12-30
s stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves.In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a general introduction to movement, including definitions and differences between movement on the stage and screen, how to conduct a class or learn on one's own, and choosing a movement style.
Physical Books in the Library
Sculpting Space in the Theater
Publication Date: 2006-09-28
If you are working in theater involved in set creation, lighting or costume design this book will inspire you to reach the heights of the masters as you learn how they succeeded. To move a world from text to stage requires unique and considered design. Sculpting Space in the Theater reveals the philosophy and process of the most influential set, costume and lighting designers working in theater today. The designers profiled in this book - all of whom have established a visible signature and particular design process - have had a remarkable impact in the field of theater design worldwide. Interviews, illustrated with photographs and working sketches, reveal the vision behind designs, and personal anecdotes reveal lessons learnt, providing a practical insight into how designers approach their work, and achieve the effects they want.
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